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The SM58: The Microphone That Won't Die

If you sing out loud anywhere (karaoke, a band, church, practice) the Shure SM58 at about $110 new or $60 used is the answer working sound people have given for fifty years, with one honest exception for quiet desk recording.

Gus Harmon Gus Harmon · Updated July 8, 2026 · how I decide

If you buy through my links the site earns a little. It's never why I pick things.

If you sing out loud (karaoke, a band, church, practice) the Shure SM58 is the answer working sound people have given for fifty years. About $110 new, about $60 used. It sounds good, it ignores the room, and it survives being dropped, thrown, and left in a van. The exception: for quiet recording at a desk, there are better choices.
shure sm58 for singing at people vs a desk mic for singing into a computer

It seems too cheap and too old to be the real answer

That’s the thing that stops people. You ask what microphone to buy, and every thread, every teacher, every guy at the store says the same three words: get an SM58. It’s ninety-nine bucks. The design is older than you are.

You start to suspect it’s a joke, or a lazy answer, or something people say because they heard other people say it.

It’s none of those. It’s just what happens when a tool is finished.

What it actually does for you

Two things, and neither is glamorous.

First, it ignores the room. Point it at your mouth and it hears your mouth. The band behind you, the speaker in front of you, the gymnasium ceiling: it hears all of that much less than it hears you. That’s why it works in bad rooms, which is where you live.

Second, it does not break. I have dropped these on concrete. I have watched a drummer throw one. I’ve pulled them out of a van in February and plugged them in wet, and they worked.

Buy one used. A used SM58 for around $60 is the best deal in audio and it isn't close, because there is nothing in there to wear out. Buy it used and spend the difference on a decent stand, which is the thing you'll actually notice every day.
Inside is a small coil of wire glued to a thin plastic disc, sitting in a magnet. Your voice pushes the disc, the coil wiggles in the magnetic field, and that wiggle is electricity. That's it. No power, no chips, no delicate charged plate. The steel grille takes the drop, the foam ball inside stops your breath from thumping, and the wire and magnet don't care what happened. The mics that die in vans are the sensitive kind, with a charged membrane thinner than plastic wrap. This one has a magnet in it.

The honest split

Studio-minded people will tell you never to record with an SM58. They’ll say it’s a stage mic and it’s disappointing in a studio.

They’re not wrong, and I’m not going to pretend otherwise to protect a recommendation.

Here’s how those two truths fit together. Ask where your voice needs to come out. Singing at people, through a speaker, in a room? SM58. Singing into a computer, alone, to make a file? Then a mic built to hear detail in a quiet room does that better, and my USB page walks through those.

The SM58 is deaf on purpose. In a studio, deafness is a flaw. On a stage, deafness is the entire point.

The cheaper sibling, and the challenger

You’ll see the Shure SM48, the SM58’s cheaper cousin. Shure has discontinued it, so what’s out there now is mostly secondhand at $55 to $90, and at that money a used SM58 for about $60 is simply the better buy. The 58 is the one you’ll still own in 2050.

You’ll also see the sE V7, around $100, described as an SM58 killer by people who like it. It has real fans. The 58 is still the one with fifty years of receipts.

If you buy through my links the site earns a little coffee money. Doesn’t change the price, doesn’t change my answer.

The SM58 does not make sound by itself. It needs something to plug into: a powered speaker with a microphone input, a small mixer (about $65), or a PA. Plug it straight into a Bluetooth speaker's aux jack and you'll hear almost nothing, and you'll think you got a dud. [You didn't. Here's what's happening.](/mic-into-speaker-no-sound/)

What thirty-five years looks like

Weddings. School shows. VFW halls. Twelve years of Sunday mornings behind a little mixing board.

Every one of those rooms had SM58s in it, and the ones that were there when I started are mostly still there. Dented. Grille flattened on one side. Working.

Buy it once, new or used, and stop thinking about microphones. That's the entire point of this microphone. The money you didn't spend on the fancy one buys a stand, a cable, and about eleven years of not shopping.
Gus Harmon

Gus Harmon

Gus spent three decades running sound wherever somebody needed it: bar bands, weddings, school shows, and twelve years of Sunday mornings. He can't sing a note. He can make sure you're heard. Now he writes so normal people can buy the right thing the first time.

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